![]() ![]() It's the one song that Letterman couldn't ever convince Zevon to perform on his show. Most notably-and poignantly-as Zevon's longtime friend David Letterman was preparing his retirement from CBS's "The Late Show" in 2015, he invited Dawes to invoke Warren's headstrong spirit by covering the gorgeous "Desperados Under the Eaves" in his stead. But Dawes has paid eloquent homage to the late musician many times by covering him in concert. It's a pity that Zevon and Goldsmith never got the chance to hang out, compare notes, and collaborate over the course of Dawes's six albums, especially the group's lovely, latest release, Passwords. As Goldsmith has explained, it's Zevon's "true sensitivity and bleak cynicism" and bold risks as a lyricist that are so compelling. As for the latter category, it's no secret that Dawes frontman and songwriter Taylor Goldsmith has a tender spot in his heart for the songs of Warren Zevon. And I am happy now.” Check out our best Warren Zevon songs to find out which of his self-titled album tracks made the cut.The men of Dawes have always been appreciative of their California rock forebears, whether Laurel Canyon folk royalty or edgier, anxiety-ridden troubadours. ![]() When Zevon was asked shortly after the album’s release about the critical acclaim the record was receiving, he said: “A year ago I was singing in an Irish bar in Spain, and I was happy then. ![]() Warren Zevon’s self-titled album was engineered by the master jug player Fritz Richmond, and was reissued in 2008 by Rhino Records, in a remastered version that included bonus tracks such as a solo piano demo version of Mohammed’s Radio and the live version of Mama Couldn’t Be Persuaded that he had performed during that WMMS interview. He remained close friends with Phil Everly, who sang on the tender, haunting ballad Hasten Down The Wind, which is about a woman leaving a relationship because “she needs to be free”. After working in advertising and writing jingles, he spent two years working with The Everly Brothers, touring with the duo as pianist and bandleader. Warren Zevon started his musical career in 1966 as part of the folk duo Lyme And Cybelle with Violet Santangelo. Warren zevon the french inhaler professional#Mama Couldn’t Be Persuaded, which featured Lindley on fiddle and some stirring guitar from Wachtel, was about Zevon’s parents the line “Don’t marry that gambling man” referred to Zevon’s father’s life as a professional gambler. Zevon also penned all the songs on an album that opened with Frank And Jesse James, a song that cast the famous Wild West characters as misunderstood outlaws. Zevon himself was the arranger and singer, and played rhythm guitar, piano and harmonica. “I wanted to do it with Jackson producing and for Asylum Records, a music company who don’t pressurise me.” “Zevon was a musician’s musician”Īmong the 25 top-class musicians who featured on Warren Zevon’s self-titled album were Fleetwood Mac’s Lindsey Buckingham and Stevie Nicks, Jorge Calderon, Phil Everly, Eagles’ Glenn Frey and Don Henley, David Lindley, Bonnie Raitt, Waddy Wachtel and Jai Winding, the son of jazz trombone legend Kai Winding. “Jackson and I talked about doing this album for several years,” Zevon told WMMS. Browne also played slide guitar and piano on the record. It is no wonder Zevon described making the album as a “lot of fun”, especially as it was produced by Jackson Browne, the singer-songwriter who had been his pal for nearly a decade. Warren Zevon, released on, came seven years after his debut studio album, 1969’s Wanted Dead Or Alive, and featured a glittering array of backing musicians, many of them friends of the Chicago-born musician who had spent most of his life in Los Angeles. Listen to Warren Zevon’s self-titled album here. ![]() “My life is a little surrealistic and the images in the songs are drawn as accurately as possible,” Zevon said. When Warren Zevon appeared on Cleveland radio station WMMS in the autumn of 1976, a few months after the release of his self-titled album, he admitted that most of the record’s 11 songs were autobiographical. ![]()
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